Overtone singing lessons online
Private lessons built on listening, acoustics, and your voice
You’ve heard that sound, two pitches from a single throat, and you can’t get it out of your head. Maybe you’ve tried on your own, watched tutorials, caught a fleeting harmonic that vanished before you could understand it. You sense it’s possible, but something is missing: not inspiration, but a clear understanding of what’s happening inside your voice.
That’s exactly what these lessons are for. My approach doesn’t rely on mystical promises or rote imitation. It’s built on precise technique, attentive listening, and a scientific understanding of your resonators. When you know why a harmonic emerges, you know how to find it again.
How a lesson works
Every session is different because every voice is different. But here’s what you can expect.
We start by listening. I ask a few questions, you sing or vocalize, and I observe, your posture, your breath, your sound. This first step gives me a clear picture of where you are today, not last week.
Then we work. Targeted exercises, vocal exploration, spectrogram feedback when it’s useful. I explain the why behind every exercise, not just what to do, but how it works in your voice. That understanding is what lets you reproduce the results on your own.
Throughout the session, I invite you to notice what’s happening: the sensations, the resistances, the moments of ease. We always start by identifying what works, it’s more effective than chasing what doesn’t.
We close with a summary: what we covered, what emerged, and what to explore before next time. You leave with concrete exercises and a clear direction.
Online sessions from your home. You need a computer or phone with camera and microphone, and a quiet space where you can sing freely.
Choose your format
Discovery session — 30 minutes
Curious but not ready to commit? This session is for you. We get to know each other, I assess your starting point, and you leave with your first exercises and a clear picture of what overtone singing can offer you.
- Voice assessment
- First personalized exercises
- Answers to your questions
- Guidance on next steps
55 €
Private lesson — 60 minutes
You have some experience or want to work on something specific. Each session is built around your needs: whether you want to stabilize your drone, amplify your harmonics, explore kargyraa, or refine your sygyt.
- Personalized technical work
- Real-time spectrogram feedback on your voice
- Exercises to practice between sessions
- Full flexibility: schedule when it suits you
120 €
Overtone Singer Program — 8 sessions
The complete journey. Eight private sessions of 60 minutes, structured in four progressive modules. This isn’t a series of isolated lessons — it’s a mentorship that takes you from your first drone to overtone improvisation.
Module 1 — Foundations (2 sessions) The vocal drone: power and stability. Vowel timbres as resonance tools.
Module 2 — Resonance (2 sessions) Mastering tongue, lips, and soft palate. Understanding and amplifying harmonic frequencies.
Module 3 — Vocal sculpture (2 sessions) The overtone singer’s formant and the double resonance chamber. Creating spectral melodies with your harmonics.
Module 4 — Creativity and autonomy (2 sessions) Overtone improvisation. Tools to keep progressing on your own after the program.
850 € (or 4 payments of 215 €)
Prices in euros. Your bank converts to your local currency at the current rate.





Who are these lessons for?
Complete beginners.
You’ve never tried overtone singing and you don’t know if you can. You can. We start with breath, listening, and your first drone, no musical background needed.
Singers and musicians.
You already have vocal or instrumental experience and want to add overtone singing to your practice. The acoustic understanding you’ll gain here will deepen everything else you do with your voice.
Voice teachers and therapists.
You want to understand formants, resonance, and spectral analysis, not as abstract theory, but as practical tools for your own teaching or clinical work.
Sound and yoga practitioners.
You’re drawn to the contemplative dimension of sustained sound and want to explore it with precision and depth.
My approach — listen before you correct
I don’t “fix” voices. I help you understand yours.
Many singing lessons start with what’s wrong: “you’re pushing here,” “your jaw is too tight,” “you’re breathing wrong.” My approach is the opposite: we start by listening to what works. When you identify the moments where your voice is free and resonant, you have a reference point, and that’s where we build from.
This is also an approach rooted in understanding. Every exercise has a reason I’ll explain to you. Not “do this because I said so”, but “here’s what happens in your voice when you do this, and here’s why it matters.” I use spectrograms so you can see what your ear is learning to hear. I draw on published acoustic research so you understand the mechanics. And I help you develop the kind of listening that makes technique stick, not just knowing what position to put your tongue in, but hearing why that position produces that harmonic.
There’s a reason overtone singing developed among people who spent their lives listening to their environment. The technique is inseparable from the attention. When I teach, I try to honor both: the precision of the science and the depth of the listening. One without the other gives you either dry mechanics or vague intuition. Together, they give you a voice you understand and can trust.